Solid late-period Hal Hartley.
This is the first Hal Hartley movie i've seen where the story overtly contains reference to himself as an off-screen character so it seems at times as if he is veering towards the super-weird like some of those french dudes (Goddard, cocteau) who did similar things in their later careers. This movie definitely has a soul though, is refreshingly brisk and ultimately a positive tale. It deserves mentioning that the millenial New York cinematography is some of the finest in recent years.
Click to Editorial Reviews
No comments:
Post a Comment